"Sun and Bolero" new casts, Yuta Tanaka, Ryuji Harada and Yutaka Mizutani will also appear as key person.

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(From the upper left) Hiromasa Taguchi, Kumiko Fujiyoshi, Ryuji Harada, (from the middle left) Ghonhon Kawai, Kazuji Tanaka, Naomasa Rokudai, (from the lower left) Takashi Yamanaka, Fumi Dan, Yutaka Mizutani.

　The release date of Yutaka Mizutani's "Sun and Bolero" was decided on June 3, and additional casts were also announced. [Photo] "Sun and Bolero" Yutaka Mizutani, Yutaka Tanaka, etc. Cast photographs, "TAP -THE LAST SHOW-", the first director of the cast photo of the youth group of youth and the light and shadow of the show business. Mizutani depicts the human heart of the human being in the second work, "The Best Day of Running Running". In this third director's work, a human drama set in an orchestra will be spun as a “stylish entertainment work”. Amateur Symphony Orchestra in a local city. Riko Hanamura (Rei Dan), the main character, has been working with unique members for 18 years. Ordinary people who love music. However, the orchestra's management was struggling and struggling, but he was finally forced to decide to end the curtain. And finally, the best concert begins. Additional casts were announced by Hiromasa Taguchi, Yunji Tanaka, Kumiko Fujiyoshi, Naomasa Rokuhei, Takashi Yamanaka, Fumi Dan, and Ryuji Harada. Taguchi plays Kururo Makita, an obiist of the Symphony Orchestra. Makita loves classical music, so he's going to get rid of it, and eventually causes an unexpected development. Tanaka plays the role of Masamichi Endo, a rare horn player who has a unusual and warm personality among the orchestra members, and the oldest orchestral flute player, Kinu Ikeda, the role of Kinu Ikeda. Naomasa Rokuhira plays the role of Masuo. In addition, Yamanaka dresses as a suspicious apparel buyer, Yoshiyuki Hatanaka, who is struggling with the lack of funding, Riko Hanamura. In addition, Riko's mother, Yoriko Hanamura, who has a problem, is Dan who also appeared in Mizutani's previous work, Running Running. Harada plays Kataoka Tatsuo Kataoka, a long -established kimono shop and a vice -ventiler, and Kiyoshi Yoda, a cellist who does not warp with Kataoka. In addition, Mizutani, the director and scriptwriter in this work, is a teacher of the main character, Riko's music college, and appeared as the conductor of the Yayoi Symphony Orchestra, Ken Todo. Despite being in trouble, Todo is the role of gently watching the orchestra and holding the key to the story. ■ Comments Hiromasa Taguchi (Kururiro Makita) The offer from Yutaka Mizutani, the longing, was really happy. The "oboe" played by Makita is completely familiar and has a different sound from day to day, so I always practiced with the image of finger movements. And at the scene where I was greeted, especially in the last performance scene, my hands shook. Even at the shooting site other than the performance, the director had a solid image, and when it did not go as the image, the director played it, so I was able to play happily. In this work, Director Mizutani gave all the characters a drama and was performed that he loved, so all episodes are lovable and cute. I felt it was a movie filled with the director's affection. I was impressed with Yutaka Mizutani for the first time with Yutaka Mizutani (the role of Masamichi Endo). Mizutani was very humorous and full of concern, and the site was very fun. The first horn that blows for the first time was very difficult because it was easy because only three left fingers move, and I had to manipulate the pitch by breathing. Anyway, I breathed out for a professional, so I tried to sound without being afraid even if it didn't fit, but when the camera came nearby by shooting a horn part, my fingertips tremble. After all, it is a once -in -a -lifetime treasure that we were able to play the performance scene with the Illuminat. And I am still impressed by the completed scene after the completed performance. I was very pleased to be able to appear in the work of Director Yutaka Mizutani (the role of Kinu Ikeda). I wanted to be able to play flute, so I felt the relationship with this work. This time, Ikeda Kinu, a flute player I played, is a bright woman who is relied on by everyone in the Yayoi Symphony Orchestra. I chose a bright color for the costumes and aimed for the brightness of the sun wherever I was. Director Mizutani at the site thought about acting that made full use of the personality of the performer, and performed it without hesitation in a very easy -to -understand manner. The performance scene was so impressive that I had never felt the sense of accomplishment for each cut. This can make a great movie! ! I foreseen. I feel that it was really good to be able to appear in this work and continue as an actress. When I got the offer of Naomasa Rokudaira (the role of Masuo Yoshimura), I was frankly happy! After reading the script, I thought it was hard to practice contrabass. The contrabass was originally an experience, it was the largest instrument in stringed instruments, it was hard to handle, and unlike the guitar, the place to hold it with a finger was not decided, so I learned a little while teaching the teacher. I did my best because there was no dubbing. When I started shooting, the cast felt like a real orchestra member, and I thought Mizutani was a director who cherished the human feelings. The finished orchestra scene was very nervous and wonderful as non -fiction. In particular, the last scene echoes in the hall like a flood of sound and is powerful! Takashi Yamanaka (Yoshiyuki Hatanaka) After reading the script, I first thought that I could really do the role of Hatanaka, and I was so excited about the role of Hatanaka. I thought that Hatanaka, who invites Riko, had to be a reasonable man. The shooting site was a gentle scene with always laughing. It is a site where actors and staff and each other are respected. It is the director who creates a laugh. Watching the movie after the completion, I wanted to go to that town and listen to their performance, such as unique and humorous characters, concerts, and beautiful scenery overlooking the Northern Alps. I have appeared in all three works of Mizutani Gumi, so I will do my best to improve this record. Fumi Dan (as Yoriko Hanamura) With Mizutani Gumi, I was able to work very comfortably in the previous work "Running Running", so I was impressed by the offer again. This time, the story of a local orchestra. Classical music is my favorite field and I felt very close. My role is Riko's mother. I decided not to forget that there was "love" at the root. The shooting site was a pleasant site, just like the previous one, accurate, clear, teamwork good. And Mizutani is already a famous director. The picture is well completed in my head, the instructions are always clear, and there is no hesitation. As an actor, the ideal site can be done there. He has the talent to become all characters, so his acting guidance power is also outstanding! I was able to leave everything with confidence. When I talked about Kawakoto (the role of Tatsuo Kataoka), I was surprised to hear the manager many times, "What? Is it really me?" Kataoka is a type that I have never played before, and is a character that I do not hate but hate it because it is so -called bonbon. I felt that I was gradually grabbing the role while receiving the idea of ​​Director Mizutani and detailed settings on site. When Director Mizutani gives the production, he actually shows me at the key points, "This is like this", but the persuasive power, ideas and ideas are of course amazing. I learned how to approach Mizutani as an actor. It was an impression that I was carefully producing "fun", so I enjoyed it as much as I could. Ryuji Harada (as Kiyo Yoda) I was watching the past work of Director Mizutani, so I really wanted to appear. Mr. Mizutani gave me an offer saying, "I have a role that Ryuji wants to do." And the joy was given. I remember what I talked about while being excited about setting the role. Yoda I played is a cello player. I couldn't read the score, so I watched the video many times and hit the movements and sounds of my hands and fingers. Everything about cello was difficult. On the day of the shooting, I was practicing while meeting in the dressing room, so I was able to share the desire to perform well with you, so I think it was a "one orchestra." I would like you to see such an orchestra performance scene and beautiful nature in the theater. Since the setting of Yutaka Mizutani (director, Ken Todo) is the amateur Symphony Orchestra, the actors of the orchestra members told the work and family structure of each person before shooting, and had the image of the role expanded. At the shooting site, it was a task to combine both the feelings that I wanted to be such a character and the charm that the actual actors had. In addition to the orchestra members, Mr. Dan who accepted the role of the main character, Riko, Mr. Yamanaka who gave a good accent to the work with a light performance, and the unique people who have a rich person. I was able to shoot happily. And I wanted to shoot the orchestra's performance scene without cheating, so I didn't think about dubbing at all. Even while the shooting was postponed for one year, a wonderful concert scene was born thanks to the practice of the orchestra members. The Todo I played is a conductor, but I have played the role of the conductor only once on the stage, and this time it is a video, so I tried how much I could do.

Real Sound Editorial Department